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Soulstice ceramics
Soulstice ceramics










soulstice ceramics

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soulstice ceramics soulstice ceramics

  • acknowledge and understand that the Terms of Use do not create an agency relationship and do not impose a financial obligation on the Registrant or create any representation agreement between the Registrant and the Participant.
  • This time deemed successful and here are the pieces to show for it.More Careers Zolo Realty Contact Privacy & Terms Sitemap Mobile Offices + Zolo Realty, Brokerage, Suite 200-5200 Yonge Street, Toronto, ON, M2N 5P6, 416.898.8932 Zolo Realty, Conveyancing Department, Suite 200-5200 Yonge Street, Toronto, ON, M2N 5P6, 416.898.8932, 416.981.3248 (Fax) Zolo Realty (London, ON), Tower B, 6th Floor, 380 Wellington Street, London, ON, N6A 5B5, 416.898.8932 Zolo Realty (Ottawa, ON), 11th Floor, 343 Preston Street, Ottawa, ON, K1S 1N4, 613.707.6328 Zolo Realty (Kitchener-Waterloo, ON), 1st Floor, Unit 4-180 Northfield Drive West, Waterloo, ON, N2L 0C7, 226.779.3797 Zolo Realty (Windsor, ON), 2557 Dougall Avenue Unit: 6, Windsor, ON, N8X 1T5, 226.779.3797 Zolo Realty (Peterborough/Kawartha Lakes, ON), 18 Bridge Street West, Campbellford, ON, K0L 1L0, 416.898.8932 Zolo Realty (Vancouver, BC), Unit 300-1090 Homer Street, Vancouver, BC, V6B 2W9, 604.239.1671 Zolo Realty (Victoria, BC), Unit 301-1321 Blanshard Street, Victoria, BC, V8W 0B6, 778.654.1127 Zolo Realty (Kelowna, BC), Unit 1100-1631 Dickson Avenue, Kelowna, BC, V1Y 0B5, 778.762.0469 Zolo Realty (Penticton, BC), 129 West Nanaimo Avenue, Penticton, BC, V2A 1N2, 778.762.0469 Zolo Realty (Calgary, AB), 30th Floor, 421 7th Avenue S.W., Calgary, AB, T2P 4K9, 587.409.2396 Zolo Realty (Regina, SK), 7th Floor, 2010 11th Avenue, Regina, SK, S4P 0J3, 1.888.230.1595īy agreeing to these "Terms of Use" you, the Registrant (client or prospect): When I returned home from my time away, was the third time I took a stab at building the lighting collection for Luminaire Authentik. Observing how their pieces were built helped me understand the subtleties of merging an art piece into a lighted design object. What made the difference was spending a summer-long residency in New York City working alongside Simone Bodmer-Turner and Episode NYC Ceramics, two ceramicists who make functional work. The second time around, I used a standard sculpture clay and although the results were imminently better, as is the nature of ceramic objects we still had cracking and warping of certain pieces.

    #SOULSTICE CERAMICS CRACKED#

    Every piece cracked either while drying or at firing. The first time around, I tested a translucent porcelain which we thought would look beautiful as lighted ceramic objects, only to find that porcelain is not a clay that takes to my natural building process. The residency ended up being a very much a material study as the entire collection was rebuilt three times with many ceramic casualties along the way. What is the process that led to the creation of the collection?












    Soulstice ceramics